Artwork by Tim Taylor

TIM TAYLOR ART dot NET has been moved to a new webhosting service inside the USA. This website is being re-loaded, and we continue to restore all the webpages. Thanks for being patient as we add pictures.

It's all copyright art. Don't even think it.

The studio has been cleaned out, except for works in process now. Only a few paintings are still at Parcus Gallery in Austria. Show through 2017 has been signed, to include a solo... but right now there's not much available art.

Taylor has been reflecting on the many years of art-making, and how the social oppression and continual brainfucking has influenced even what art could get made in the gulag. And, to be fair, every convict knows some prisons are easier to survive than others - Taylor counts his blessings. Point being, many years bring a certain quality to fine studio art that other mediums don't distill. You get too old for most other "arts", while in fine art it was the cataract that perfected Monet.

Now restoring the old film slides to digital and touching up the spots, the lifetime story is integral to the works. Each piece has a time and circumstance. So, as this website is refurbished, it will not only include the portfolio but also the story of the artist.

Those who know Tim Taylor personally have seen the effect of blacklisting inside America on the work itself. The virus campaign was only USA's most recent scourge, not the first time Taylor was unable to identify himself to get a job at the bar when the scientists were onto a new kill. But it's an oversimplification to just mourne all the tragedy that goes with failed hopes and the realization that ethics are a costly liability. Crying in the soup of what might have been if the world was the way it projects itself to be isn't Taylor's style. It was when the dignities lied and showed their greed, their mediocrity, that Taylor used the time blacklisted from work in the sciences or at the theater that demanded fealty, that Taylor worked as an apprentice and touched Segal's "Breadline" as it was forged in bronze. The theme of it took on a real life experience. The artist learned hunger from his medical degree and the ethics they pitched at him, hitting him in the jaw while the umpire called the strike.

Tim Taylor in Washington DC. There are not many pictures of the artist, because his belongings have been looted many times from studio and storage.

"Marble". Plaster of Paris on Wire Wrapped Around a Clear Marble. One of the artworks that Taylor was able to afford making during the first period of blacklisting after his discovery in youth of the HIV virus strain that would become Fauci's template, when the Deputy Director of the NIH (Kirch, thief of Taylor's chemistry, widely cited to this day) had the artist tarred and feathered for being too curious and insisting disease was the enemy, not the asset.

"Hopscotch". Pastel on Paper. Another early work form the portfolio.

Detail; Paper Mache mini light piece.

Many old works are being pulled up now for the portfolio.

Looking back over the years the artworks jog memories of times and seasons. It seems crystal clear at this stage in the artist's life that seeking popularity, a trend in the art world these days - everyone wants to be the next Warhol - isn't what gives art it's profound power. And media glitz is already old.

As links get restored, the "Machine" link, on the Sculpture Page, is back up now. A new "Snot Elevator Flange" and "Commercial Slut Sliders" had to be fabricated and re-attached to the "Celebrity Chankre".

"Machine"

The "Factory" link is also back up on the Sculpture Page.

"Factory"

This is about where the artist was when the US released it's virus in 2018, knocking the planned UV derivative from this model off the map. A location has been found for a new UV installation that will not go to the showfloor.

In April, just before the last version of this website went kaboom: Gem Art's Art Shopping at the Louvre Carrousel.

Tim Taylor had an 18 square meter area.

The Parcus Gallery, in the same show, also had a couple small sculptures.

Singulart is a website with some art for sale, and more will arrive as we have time to add art to this website outlet.

Verified artist on Singulart

The expo link is here, and Tim Taylor's page in the catalogue is here.

World Art Dubai exhibit was postponed to November because of the war, and Taylor has decided not to make plans for travel to Arabia, as much as he loved being there for the Global Art Awards in 2018.

Taylor at the Global Art Awards in Dubai.

"Hardball" and "Crystal Ball" at the Global Art Awards in Dubai, 2018, just before USA released it's aerosol version of the HIV on the world, a much refined variant more in line with the scat Nazi's love of gasses and aerosols..

Sheikh Mohammed bin Zayed Al Nahyan, now president of the UAE, taking a break to check out some art.

They got a leader with good taste in fine art. If USA hadn't brought war on it, UAE would be a beautiful place to live.

Not many things in life are as satisfying as the US Pusher dying in pain with dick cancer.

Big Joe and The Infection Injection.

Looking ahead...

The European Modern Museum of Art in Barcelona will have a show in October and Taylor was selected as one of the artists for this show.

Taylor was one of the awardees in Spain on May 5 at the Palacio de Santoña (Santona Palace), Madrid.

This is the 2nd "Caravaggio" Award from Russo's Effeto Arte group. The last Caravaggio International Prize, "Great Masters of Art" was in 2018 in Milan Italy.

"Investable Artists" is now published.

Click the picture to go to the Art Market page.

The corresponding online directory - "Investable Artists Directory 2026" - includes 10 images of Taylor's artwork and other experience.

You're seeing the new work here first.

Now we'll see, for the first time since the show, the work that went to the Louvre Carrousel in April. Just as we were getting ready to publish this after the show the webhost in England locked us out of Taylor's website. So, we had to move this website out of England and it's a big job loading it back up.

Shot of the floor before the show opened.

The Artwork at Louvre Carrousel April 2026

Paintings

"Art Star"; Acrylic on Canvas; 88 X 88 cm; 2026

"Bluegreen Clear"; Acrylic on Nothing; 46 X 61 cm; 2026

"Chemical Sky"; Acrylic on Canvas; 142 X 142 cm; 2026

(This painting is sold to a talented surgeon with hands that rival any sculptor).

"Departure"; Acrylic on Canvas; 117 X 117 cm; 2026

A few paintings from storage also went to the show.

"Entropy"; Acrylic on Canvas; 76 X 61 cm; 2014

"White Noise"; Acrylic on Canvas; 617 X 71 cm; 2015

"Untitled"; Acrylic on Canvas; 61 X 61 cm; 2017

"Cartoon"; Acrylic on Canvas; 36" X 36"; 2018

Sculptures

"Ring"; Bronze; 25 X 15 X 15 cm; 2026

"Black Form"; Bronze; 25 cm; 2026

"Taurus"; Bronze; 25 cm; 2018; New Patina in 2026

"Space Junk"; Hammered Carbonado and Smelted Metals in Epoxy on Polystyrene; 12" X 8" X 8"; 2026

"Green Stone"; Hammered Stone in Epoxy on Polystyrene; 20 cm; 2026

Detail of the reflected light area with the mineral sheen.

We think it was an elegant set for show in Paris, where artists have historically presented original works for the first time.

Entrance que to the showfloor in the Louvre Carrousel.

4 of the paintings that were shown last April in Paris are now part of the permanent collection of the Parcus Gallery, in Austria.

"Cartoon"; Acrylic on Linen; 36" x 36"; 2018.

"Playing Card"; Acrylic on Linen; 48" x 68"; 2025.

"Untitled"; Acrylic on Linen; 6' x 4'; 2025

"Titanium Sunshine"; Acrylic on Linen; 6' x 6'; 2025

The Parcus Gallery castle is now home for these 4 paintings.

Earlier in 2025.

Taylor was also in Paris for last year's expo. Here's how it looked at the Louvre Carrousel before the show got up and running.

Click this picture to see shots of Tim Taylor's display at Art Shopping April 2025 in Paris.

Earlier...

A new shot of the Ultraviolet Fresco Form -

The new smaller plaster piece is now painted in ultraviolets. The dark shades in room light:

Ultraviolet Fresco Form, about 6 inches, in studio light

and around...

In the dark under UV light

Ultraviolet Fresco Form, about 6 inches, in UV light

5 carbonado stones were brought to Paris, but the new mortars that use this crushed rock for sand and embellishment are too heavy for travel. Visit here to watch the new mortars get made.

5 Carbonado stones.

The Mortar Form "Black Ball" is finished, and has been given a clear ultraviolet white coat of acrylic.

Mortar Form; "Black Ball"; hammered black carbonado on carbonado in mortar, over steel reinforced cement, in studio light; 8 inches; 2024.

"Blackball". What USA does to artists and scientists.

Detail of this unique surface.

And in black light:

"Black Ball" is white in the night with UV light.

The new mortar forms are cement art, using black diamond dust instead of sand in mortar. Some have invisible UV paint.

The Artifacts of Saipan were made in 2010, just before USA "annexed" the Northern Mariana islands, same as Russia took Ukraine, looting back the airfield they used to nuke Japan.

The Americans promised the islanders independence and their own nation to wedge influence that would eventually take them over. The local Carolinians and Chamorros have never been truly free from any Empire since civilization ruined their lifestyle and culture.

Saipan is CDC Station Pacific, where the yearly Asian virus for vaccine is harvested and shipped to Atlanta for production. The whole island had covid in 2018, and they rehearsed it for years when Hunter Biden was the governor's lobbyist.

Wuhan is a smoke screen puffed by both Parties in the Nazi government.

Saipan is where the movie star jeans were made in one dollar a day Chinese labor camps and sweat shops.

The USA annexed it by flooding the islands with Philippino labor, outnumbering the locals, and then paying them off to vote for the US takeover.

Since the 2010 takeover, however, China has one-upped the American, and has more influence than America on the islanders. Chinese communism has more to offer Philippinos than the USA does.

Guam and this island are probably one of Korea's most important strategic targets. Big Joe is distracted with dementia, a traitor, and his NATO boys are occupied.

The Partisans ride White House like children on a see-saw. Hollywood blows their trumpet. The Army makes disease for weapon and releases it on Americans to win elections. Europe is their best customer. USA will keep you at war to stay in business.

Big Joe and The Infection Injection.

A time piece, Artifact #2 was placed deep in the jungle and photographed disappearing being over-grown with grass, before it was cut out from the thick brush for installation.

Artifact #2, after placement in an unknown jungle location.

Shot of Artifact 2 hidden in the jungle grass of Saipan.

When the 4 Artifacts were transported to the seaside for photography, Artifact #2 was cut out from the grass with a machete and loaded on to the truck.

Cutting the Artifact out of the grass.

Clip of the 1st Artifact being taken to the jungle with Taylor and the Nekaifes brothers.

The three brothers were killed in a car accident shortly after this filming, and their uncle, Governor Fitial of Saipan - who hired Taylor - was put in federal prison. They knew how to loot it, and the Biden was in it.

Artifact #3, "Cement Ball"; Sand of Saipan in Mortar; 4 feet round.

Taylor's "Gold Ball II", pictured on Cambridge's "On Taste", a collection of essays in philosophy.

The largest Carbon Form in the set "Urine and the Thumb in My Ass", has been cut and polished.

Carbon Form; about 20 inches triangular and 8 inches wide.

And around...

Carbon Form; Black and White Carbonado; 20 inches X 8 inches; 2024.

Here's a cut small rock from the same lode.

"Carbon Form"; Black and White Carbonado; about 3 inches high; June, 2024

"Carbon Form". Another rock for the set of stones - "Urine and the Thumb in My Ass".

There is white rock also being cut.

White Carbon Form, in process. White Carbonado. About 12 inches.

Detail showing the texture of this rock.

It's life making art in the USA, honey.

Photography of the "Dirty Needle", a Fresco Form, has finally come in.

"Dirty Needle"; 12" X 4" X 4"; Fresco Form - Watercolor in Wet Plaster painted on Plaster of Paris over Polystyrene; 2024.

Art made in America.

Here are a few new shots for you around.

"Dirty Needle"

Making art in the black of night.

Pictures are in of the new white Mortar Form.

Study

The Mortar Form is a cement sculpture coated with white stucco, then sealed and painted with ultraviolet white acrylic.

In this set of pictures there are three different lighting studies. The surface is a study in light. There are shots of the sculpture in studio light, and in ultraviolet light. The ultraviolet shots are backlit bulb, and full gas UV light.

Using white UV paint, a classical element is retained. This was done to by-pass the snot art professor's stereotypes of UV work as a psychedelic associated with hallucinogens and other psychiatric drugs pushed outa Chicago and NIMH.

While the work is white in both studio and UV light, the surface is reflecting light in studio illumination, and giving off it's own light in the UV shots.

ROOM LIGHTING:

"Mortar Form" in studio light; Acrylic on Stucco over Cement; about 12 inches; May 2024.

The light is reflected, bouncing off the surface from the source.

"Mortar Form"; studio light.

BACKLIT with UV BULB

Mortar form backlit with UV Bulb

The white is not reflected. There is no white light in the room. The white light you see is being generated from ultraviolet wavelengths and given off directly by the art object.

FULL UV LIGHTING

The form is white, but slightly "flat" to the camera, because the surfaces are giving off white light rather than reflecting it.

Mortar Form glowing white in the pitch black dark. These pictures are being replaced with light from a show quality black light source, soon.

Mortar Form in UV Light.

Glowing white in the black of night.

The mortars are based on The Artifacts of Saipan

Artifact #2: "Madonna and Child"

The first Artifact of Saipan was made black with the use of black grout over cement.

The UV Fresco Form and Pastel drawing are now in print: "Visionaries" of 2025.

As to the repairs being constructed on this website... the page was completely wiped out by (not very) mysterious forces. So ruined beyond repair, this web-page MAY actually have to re-direct to another site.

There were webpages that got completely wiped out, and need some restoration. The entire website got hacked, and this is an incomplete copy. We are still repairing the website. We took a nuke in Joe Biden who promoted his junkie kid's crap at the same time he pushed the drug and started the war.

One of the webpages that will get put back in their places are the Berliner Page, about an art book that had a couple pictures.

The pictures from the last show in Paris were still in construction when the big boys got to shutting down the show in 2020.

Several shows just before getting locked down never got pictured here. Others were canceled. We'll try to add a few pictures of the shows in Bruges, Dubai, and Amsterdam in an archives page as we get close to show time after the summer.

"Ultraviolet Fresco Form"; March 2024

"2025 Visionaries", a printed edition of Contemporary Art Curator's magazine is being published now. Here's what's in it on Taylor's page.

Image One

Image Two

Statement

Two Studies

Color is the sensation of wavelengths reflected - spectra which has not been absorbed, or subtracted, from white light by the art object. Three-dimensional shape is perceived by the value of light, with highlights and shadow, usually from a tightly controlled light “source” in sculpture and photography. Physically opposite, black light pigments convert invisible wavelengths into hues which can be seen, usually as primary colors. Light is given off directly by the pigment. It is light added, rather than absorbed and fractionally reflected. When applied to a sculptural shape, the ultraviolet light source has no power to define form, because light is given off directly from the form itself, becoming the light source, setting the shape free from paradigms in art. “Ultraviolet Fresco Form” is plaster of Paris over carved polystyrene, painted with ultraviolet stage paints, illuminated with black light. Because it emits light from every facet, the sculpture appears flat and like a two-dimensional design to the camera lens.

“Elea Garden” is a pastel of the storage shed in an overgrown back yard of the studio overlooking the Tyrrhenian Sea, where Homer wrote “Odyssey”, drawn while on residency in Southern Italy.

IMAGE LIST

1) “Ultraviolet Fresco Form”; Acrylic on Plaster of Paris over Polystyrene; 10” X 10” X 10”; 2024

2) “Elea Garden”; Pastel on Paper; 10” X 12”; 2017

We are now published. Taylor's work is buried in a book full of some of the best most popular art available. Asked about this, the artist revealed that he notices that he probably doesn't belong in this collection. He said he knows he is not marching in step with the progression of contemporary art sales.

A print edition of Art Curator's Magazine features this new UV sculpture in Black Light.

"Fresco Form", in black light; Ultraviolet Acrylic on Plastered Polystyrene: 10 inches; 2024.

Here are a few shots of the new Fresco Form for you. Only one shot of it is published.

"Fresco Form" in black light; 2024.

The work is a faceted form, which seems to have resulted from all the rock cutting.

The fresco form is sculpted pigment in wet plaster.

Comes a time in Art History, Leo, when art illustrates their weapons, and all the jobs belong to the Pope.

In a rare conversation with Tim Taylor, Contemporary Art Curator Magazine held back nothing, and it has been published.

Click the image to go the interview.

A look back in time in a discussion with the artist.

"White Box", 2021, in studio light. Brillo soap box dimensions.

"Raven"; Carbon Form; 2023