Timothy Taylor's first solo exhibit was the Master's Thesis at the Claremont Graduate School, in the summer of 1984. The Thesis was titled "Dreams" and included 12 Paintings in Oils and Acrylics. Taylor was in the MFA program, but took an MA at one year to accept a medical college offer.
Taylor went to George Washington University to study medicine immediately after graduating the MA in 1984. He returned to Claremont while he was a resident at the University of California in 1990, intending to complete the MFA, but did not finish again, as he was accepted to a Fellowship in Pharmacology in 1991 at the NIMH. But the acceptance at NIH was just a sham, rigged to knock Taylor off the rail, by a deputy Director named Kirch, who was working with Fauci (unknown to Taylor at the time. Kirch was providing Fauci with stealthy HIV brain infection viruses for engineering and patent - all while publically denying virus caused mental illness, and in bed with Big Pharm. Oh. It gets prettier than that. Big Drug was having sex with Armed Forces, an international enterprize including Gilead of Communist China. Kirch knew that Taylor wanted to study the virus specimen known as JR-CSF that Fauci was patenting as a secret bio-weapon. Dat wadn't gunna happen.). A telegram would arrive on the day of travel to DC to begin the Fellowship. Kirch had dumped Taylor for a chemist from China. Little did Taylor realize he had gotten involved with the scientists who were responsible for engineering the AIDS virus, and later the Covid-19. They rightly identified Taylor as not having the proper allegiance for this secret virus work (PCR was classified science at the time AIDS was the project). In his youth, Taylor believed that doctors were supposed to find cures to disease, not engineer it. And for that rogue ideation, DC fucked him up, while thieving his chemistry - complex science that the Deputy Director of the NIMH (Kirch, the smiling slicker than baby shit German kine) rode all the way into the White House in Trump I. Taylor is to this day a Fellow of the American Institute of Chemists (the AIC), a membership award for chemistry that pre-dates his wrong turn to study science in Washington DC.
After the first major blacklisting event in Taylor's life as an MD, when the NIMH and University of California both attempted to erase Taylor's records completely, he again returned to Clarement, accepted again to finish the MFA in 2007. But Taylor was literally turned away at the door of Claremont Art after moving to Pomona, on the day of studio opening, and his admission to any further studies in art at Claremont in 2008 was reversed. "What? You didn't get the mail?"... It was the secretary of the Art Daprtment that informed him black suits from the government had shown up at the art department, and they wanted nothing to do with it, thinking Taylor was in some kind of federal trouble. The University Dean and the Department Chair (LA Times Art Critic David Pagel) each blamed the rejection on the other as a kind of mystery.
The work that was done at the Claremont studio while a medical resident is HERE. (Under construction now).
While Taylor was in med school, he took electives in art and continued painting and sculpting, but the art turned dark as Taylor realized he made a wrong turn in life. His humanity had been abused and taken as a token of corrupt science in bed with military complexes. The artwork made during the med school years is HERE. (also under construction now)
The fact of a Washington DC exposure to the activities in the so called sciences would define a life-changing error. Classmates who went on to become art teachers had rewarding careers, and families. The promises of a medical education were a fraud. It would become debt slavery to a cruel Washington DC taskmaster. There would be no way out, as any starting point to recover from would be officially erased. Records, including court cases, would be professionally scrubbed. Before Taylor accepted the fact of it, there would be repeated erasing and blacklisting as recent as the Covid mandates. National Intelligence under Biden determined to ruin any dissent to the Armed Forces' virus campaign in the USA, and no puppet can fix it. Actors, a kind of American politician, whose careers survived, would make advertisements in favor of the experimental injections, even if it gave them a stroke. "Success", in art and science within the USA, was only given to those in compliance with the Neo-Nazi State. In all of this, art would be thieved with any data records from studio and storage. Because of the rapid theft, and control of the arts in America, Taylor releases his artwork as soon as it is made to galleries outside USA.
Actors that are politicians, and politicians that act, stroked out from their fealty, pushing it on you, but are rewarded by the State with it's versions of "success".
The science was a factor in the development of Tim Taylor's art experience. It began with youthful innocence characterized by academic vomit that smelled of "creativity" and the so-called "art" of science. And it concluded with the realization that all science and most art is just more government business. It becomes their little secret at the most advanced practices. All while enriching a small group of the most abject anuses known to history. Therefore, Taylor has allowed us to once again publish the SCIENCE (now being reloaded) that he posted here after being wiped off of facebook during the pandemic. Because it clearly shows that it was the USA that not only engineered Covid-19, as they now cough up, but also AIDS. The humanity of it is the exposure of "Humanity" as a fraud. The "Thesis" makes it's conclusions here decades later borne by experience, on Tim Taylor Art dot NET. They got busted by the art they think they own.
The conclusions, though deadly, are valid despite all the mud they dragged Taylor through to try and prevent the progress of knowledge. And the art got distilled from the heat. Almost every advice of the professor burned out in the furnace of real life.
